Themes derived from the Dance of Death, a medieval allegory in which Death overcomes people of all ages and levels of society, pervaded German art in the late medieval and Renaissance periods. As the first true chiaroscuro woodcut, Hans Burgkmair's compelling depiction of lovers torn apart by death is a work of pivotal importance. It represents a major cognitive leap on the part of the artist, who was the first to compose an organic three-dimensional composition by juxtaposing and overprinting three tones added by three different wood blocks.