Possibly Boudewijn de Man, Delft; (his sale, Delft, 15 March 1644, no. 2, as _Een Adam ende Eva_).[1] Possibly private collection, Amsterdam, 1671.[2] Probably (anonymous sale, Hubert and Dupuy at Salle des Grands-Augustins, Paris, 3 June 1774 and following days, no. 34, as _Adam & Eve_).[3] (Camillo Davico, Turin), before 1936; purchased 1936 by Prof. Mario Micheletti, Turin; acquired 1972 by private collection, Switzerland;[4] (sale, Christie, Manson & Woods, New York, 15 May 1996, no. 51); purchased by NGA. [1] Owners through 1774, and the accompanying footnotes documenting the sources, are taken from the 1996 Christie's sale catalogue. Boudewijn de Man's ownership of "Een Adam ende Eva van Goltius [florins] 110" is documented in Gemeente Archief Delft, Notary archive no. 1861, deed no. 2035. [2] Hendrik Houmes' annotation "een Adam en Eva op de cingel tot Amsterdam" is in a copy of van Mander's _Het Schilder-Boeck_, fol. 286 recto, preserved in the Rijksprentenkabinet, Amsterdam. [3] Lot 34 in this sale is described as "Adam & Eve de Goltius, Pouc. de haut 40". It therefore measured approximately 100 centimeters in height (the width was not recorded), and it sold for 49.7 francs. [4] The anonymous Swiss owner provided information about the ownership by Davico and Micheletti to Lawrence W. Nichols in a letter of 6 March 1984. See Lawrence Wells Nichols, "The Paintings of Hendrick Goltzius (1558-1617)," Ph.D. diss., Columbia University, 1990: 185.