Provenance
(Galerie Nebehay, Vienna); sold 1919 to Otto [d. 1926] and Eugenia Primavesi, Vienna;[1] acquired 1928 with other paintings from Eugenia Primavesi by Hugo or Otto Bernatzig (or Bernatzik), Vienna. Brought to the United States by Josef Urban [1872-1933], New York.[2] (Galérie St. Etienne, New York), possibly by 1959;[3] Otto [1894-1978] and Franziska [1899-1992] Kallir, New York; acquired 1978 through gift and purchase by NGA.
[1] According to Tobias G. Natter, cited in _Klimt, Schiele, Moser, Kokoschka. Vienne 1900_, Exh. cat., Galeries nationales du Grand Palais, Paris, 2005-2006: unnumbered catalogue. The name Sigmund Primavesi that is listed in the painting's provenance in the 1965 Guggenheim exhibition catalogue is probably an error.
[2] According to Jane Kallir, _Saved from Europe: Otto Kallir and the History of the Galerie St. Etienne_, Exh. cat., Galerie St. Etienne, New York, 1999: pl. 16.
[3] The Galerie St. Etienne, whose owners were Otto and Franziska Kallir, included the painting in its 1959 Klimt exhibition. Mrs. Josef Urban was listed in the catalogue as a lender, but which painting(s) she lent is not specified, so it is possible she had inherited the painting from her husband and still owned it in 1959.
Accession Number
1978.41.1
Medium
oil on canvas
Dimensions
overall: 110.9 x 110.4 cm (43 11/16 x 43 7/16 in.) | framed: 116.21 x 115.89 x 6.67 cm (45 3/4 x 45 5/8 x 2 5/8 in.)
Classification
Painting
Credit Line
Gift of Otto and Franziska Kallir with the help of the Carol and Edwin Gaines Fullinwider Fund