Possibly (sale, Willem Fabricius, Haarlem, 19 August 1749, no. 26).[1]Richard M. Foster, Clewer Manor, near Windsor, Berkshire;[2] his son, Edmund Benson Foster [1830-1862], Clewer Manor; (Richard Foster's estate sale, Christie, Manson & Woods, London, 3 June 1876, no. 1, as _The Guitar Lesson_); Samuel Addington [1806-1886], London; (his estate sale, Christie, Manson & Woods, London, 22 May 1886, no. 107, as _The Guitar Lesson_); Davis.[3] Sir Julian Goldsmid [1838-1896]; (his sale, Christie, Manson & Woods, London, 13 June 1896, no. 82, as _The Guitar Lesson_). (Charles Sedelmeyer, Paris). Baron Michael Ephrussi [1845-1914], Paris; purchased 1900 by William A. Clark [1839-1925], New York; bequest 1926 to the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art. [1] Mariët Westermann, _The Amusements of Jan Steen: Comic Painting in the Seventeenth Century_, Zwolle, 1997: 98-99, 127 n. 47. [2] According to William Roberts (_Memorials of Christie's: A Record of Art Sales from 1766 to 1896, Volume 1_, London, 1897: 253), the Clewer Manor collection was "formed by three generations of the Foster family." [3] Samuel Addington to Davis is recorded by C. Hofstede de Groot, _Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII Jahrhunderts_, Esslingen am Neckar, 1907: 96, no. 415. A copy of the sale catalogue in the NGA Library is annotated with the name "Davis" (copy in NGA curatorial files).